Dutch-American soprano Katharine Dain performs opera, chamber music, and oratorio throughout Europe and North America. Highlights of current and recent seasons include Konstanze (Mozart Die Entführung aus dem Serail) in the opera houses of Rouen, Avignon, Clermont-Ferrand, Reims, and Massy, Donna Anna (Mozart Don Giovanni) in Ecuador, Hungary, and on tour throughout the Netherlands and Belgium with the Orchestra of the 18th Century, and Cunégonde (Bernstein Candide) in Banff. On the concert platform, Katharine has recently performed works of Dutilleux and Berlioz with the BBC Scottish Symphony Orchestra under Ryan Bancroft and song cycles of Zemlinsky and Berg under Reinbert de Leeuw in Austria’s Osterfestival; this season she will join longtime collaborators Daniel Reuss and Cappella Amsterdam for the Brahms Requiem as well as the Orchestre d’Auvergne in Mahler’s Fourth Symphony.
Dutch-American soprano Katharine Dain performs opera, chamber music, and oratorio throughout Europe and North America. Highlights of current and recent seasons include Konstanze (Mozart Die Entführung aus dem Serail) in the opera houses of Rouen, Avignon, Clermont-Ferrand, Reims, and Massy, Donna Anna (Mozart Don Giovanni) in Ecuador, Hungary, and on tour throughout the Netherlands and Belgium with the Orchestra of the 18th Century, and Cunégonde (Bernstein Candide) in Banff. On the concert platform, Katharine has recently performed works of Dutilleux and Berlioz with the BBC Scottish Symphony Orchestra under Ryan Bancroft and song cycles of Zemlinsky and Berg under Reinbert de Leeuw in Austria’s Osterfestival; this season she will join longtime collaborators Daniel Reuss and Cappella Amsterdam for the Brahms Requiem as well as the Orchestre d’Auvergne in Mahler’s Fourth Symphony.
Katharine Dain is the revelation of the evening. Her ample and silky voice, supple phrasing and warm timbre are apparent from her first aria. The young soprano marries dramatic power and enormous vocal agility without ever stepping outside of Mozart’s style.
ÔLYRIX
Mozart has unquestionably found in the beautiful American soprano Katharine Dain an ideal Konstanze. Fluent high range, expressive middle, virtuosity without excess, dramatic intelligence: her “Martern aller Arten” promises us a splendid heroine.
FORUM OPERA
A musician of unusual intelligence and fearlessness, Katharine is becoming particularly known for her work in 20th- and 21st-century repertoire. In 2020 she will be the featured soloist with the NSO under conductor Manoj Kamps in a touring program of Wagner, Stravinsky, and a newly-commissioned piece written for her by young Dutch composer Rick van Veldhuizen. She has co-founded several chamber groups including Damask Vocal Quartet, whose first album of works by Brahms and contemporaries, O schöne Nacht, garnered universal acclaim in the press and won the French award the Choc de Classica.
A musician of unusual intelligence and fearlessness, Katharine is becoming particularly known for her work in 20th- and 21st-century repertoire. In 2020 she will be the featured soloist with the NSO under conductor Manoj Kamps in a touring program of Wagner, Stravinsky, and a newly-commissioned piece written for her by young Dutch composer Rick van Veldhuizen. She has co-founded several chamber groups including Damask Vocal Quartet, whose first album of works by Brahms and contemporaries, O schöne Nacht, garnered universal acclaim in the press and won the French award the Choc de Classica.
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September 24, 2019We’ve all read Khatia Buniatshvili’s bio, right? If you haven't, treat yourself. She’s a pianist (apparently a good one—I’ve never heard her), and her bio is riveting. It lends itself well to dramatic recitations over dinner; it could be a drinking game. The last paragraph is particularly great: “Khatia Buniatishvili, shining pianist at the height of her abilities, came into this world in a shower of light during the summer solstice. On a human... -
September 10, 2019Hi from France. At the end of summer 2018, my partner and I planned six days of hiking in Germany as our only real vacation of the year, which had been very stressful. Four days in, I got an urgent message about a jump-in, and after some discussion, sadness, and a final lovely evening together, I left early to take the job. Ever since, I’ve felt I owed my partner a real vacation. I didn’t realize... -
May 10, 2019Sometimes, when I was an undergraduate at Harvard, I'd walk through campus on a brooding overcast day and spot the towering steeple of Memorial Church (usually quite imposing, a striking white spire against the brilliant blue of a New England sky) receding into the muted light, its sharp contours softened and made less visible by the texture of the clouds behind. For some reason, I'd feel an unexplainable pang of satisfaction whenever the steeple...
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