album-art

Audio samples

By
Release date:

Dutch-American soprano Katharine Dain performs opera, chamber music, and oratorio throughout Europe and North America. Highlights of current and recent seasons include Konstanze (Mozart Die Entführung aus dem Serail) in the opera houses of Rouen, Avignon, Clermont-Ferrand, Reims, and Massy, Donna Anna (Mozart Don Giovanni) in Ecuador, Hungary, and on tour throughout the Netherlands and Belgium with the Orchestra of the 18th Century, and Cunégonde (Bernstein Candide) in Banff. On the concert platform, Katharine has recently performed works of Dutilleux and Berlioz with the BBC Scottish Symphony Orchestra under Ryan Bancroft and song cycles of Zemlinsky and Berg under Reinbert de Leeuw in Austria’s Osterfestival; this season she will join longtime collaborators Daniel Reuss and Cappella Amsterdam for the Brahms Requiem as well as the Orchestre d’Auvergne in Mahler’s Fourth Symphony.

Dutch-American soprano Katharine Dain performs opera, chamber music, and oratorio throughout Europe and North America. Highlights of current and recent seasons include Konstanze (Mozart Die Entführung aus dem Serail) in the opera houses of Rouen, Avignon, Clermont-Ferrand, Reims, and Massy, Donna Anna (Mozart Don Giovanni) in Ecuador, Hungary, and on tour throughout the Netherlands and Belgium with the Orchestra of the 18th Century, and Cunégonde (Bernstein Candide) in Banff. On the concert platform, Katharine has recently performed works of Dutilleux and Berlioz with the BBC Scottish Symphony Orchestra under Ryan Bancroft and song cycles of Zemlinsky and Berg under Reinbert de Leeuw in Austria’s Osterfestival; this season she will join longtime collaborators Daniel Reuss and Cappella Amsterdam for the Brahms Requiem as well as the Orchestre d’Auvergne in Mahler’s Fourth Symphony.

Katharine Dain is the revelation of the evening. Her ample and silky voice, supple phrasing and warm timbre are apparent from her first aria. The young soprano marries dramatic power and enormous vocal agility without ever stepping outside of Mozart’s style.

ÔLYRIX

Mozart has unquestionably found in the beautiful American soprano Katharine Dain an ideal Konstanze. Fluent high range, expressive middle, virtuosity without excess, dramatic intelligence: her “Martern aller Arten” promises us a splendid heroine.

FORUM OPERA

A musician of unusual intelligence and fearlessness, Katharine is becoming particularly known for her work in 20th- and 21st-century repertoire. In 2020 she will be the featured soloist with the NSO under conductor Manoj Kamps in a touring program of Wagner, Stravinsky, and a newly-commissioned piece written for her by young Dutch composer Rick van Veldhuizen. She has co-founded several chamber groups including Damask Vocal Quartet, whose first album of works by Brahms and contemporaries, O schöne Nacht, garnered universal acclaim in the press and won the French award the Choc de Classica.

A musician of unusual intelligence and fearlessness, Katharine is becoming particularly known for her work in 20th- and 21st-century repertoire. In 2020 she will be the featured soloist with the NSO under conductor Manoj Kamps in a touring program of Wagner, Stravinsky, and a newly-commissioned piece written for her by young Dutch composer Rick van Veldhuizen. She has co-founded several chamber groups including Damask Vocal Quartet, whose first album of works by Brahms and contemporaries, O schöne Nacht, garnered universal acclaim in the press and won the French award the Choc de Classica.

news

  • Wagner & van Veldhuizen with the NSO

    I’m so grateful to have been involved in the 2020 Nederlands Studenten Orkest tour of a concert program fittingly titled “Extase,” which closed Sunday night to massive fervor in the Grote Zaal of Amsterdam’s Concertgebouw. The orchestra (made up of all university students, approximate ages 18-26, led by Manoj Kamps) worked for four weeks, I for three, with an intensive rehearsal period followed by 13 concerts in 15 days. It was exhausting, it was massively stimulating, and it was incredibly […]
  • The Guardian thinks I’m “worth discovering!”

    My album of Clara Schumann and Rhian Samuel songs (with bass-baritone Paul Carey Jones and pianist Jocelyn Freeman) got a short mention in the Guardian. It’s a tiny review, but I’ll take it, especially as it allowed me to see my name in the Guardian’s instantly-recognizable typeface for the first time, which was maybe more of a thrill than the words themselves. “There’s more by Samuel on the album Song Lied Cân (Ty Cerdd). This small Welsh label, doing quietly impressive […]
  • Boccherini and Mendelssohn in Brussels

    In a very last-minute change, I will be replacing the Spanish soprano Nuria Rial tonight in a concert presented by Bozar Brussels with the Auryn Quartet and bassist James Munro. The repertoire is Boccherini’s lovely Stabat Mater for soprano and strings, as well as music by Bach and Mendelssohn. I wish Nuria a speedy recovery and am grateful to my new colleagues for their generosity and beautiful playing in our rehearsal today. On the early trip down from Rotterdam this […]
  • great press for Don Giovanni

    I’ve been hugely enjoying singing Donna Anna with the Orchestra of the 18th Century under Kenneth Montgomery, a semi-staged production that is touring the Netherlands and Belgium in October. With a dream cast and a group of players that take as much interest in the storytelling as the singers, I’m finding new colors and possibilities in the piece in every performance. The press has been very positive. “Donna Anna … was in handen van Katharine Dain, een heel fraai optreden. […]

blog

  • Reinbert de Leeuw, 1938-2020
    February 14, 2020
    The world is a less vibrant place today. The last time I saw Reinbert was nearly a year ago, spring, a jump-in—Berg and Zemlinsky songs in gorgeous chamber arrangements he had made. I had enough notice that I could go to his house in Amsterdam on a sunny April day to go through the music. I had been cramming at home and was quaking in my boots when I arrived, because I was barely past...
  • thoughts on an itinerant Thanksgiving
    November 28, 2019
    Happy Thanksgiving from me, an immigrant. Or am I an expat? There’s a huge difference in privilege and expectation between those two words. I wasn’t forced out of my home country by oppression or war or danger, thank goodness. But I am American, and I live in the Netherlands, and I plan to stay. I applied for dual citizenship when that became possible, and now I am “Dutch-American soprano Katharine Dain,” a phrase I put...
  • astride a comet
    September 24, 2019
    We’ve all read Khatia Buniatshvili’s bio, right? If you haven't, treat yourself. She’s a pianist (apparently a good one—I’ve never heard her), and her bio is riveting. It lends itself well to dramatic recitations over dinner; it could be a drinking game. The last paragraph is particularly great: “Khatia Buniatishvili, shining pianist at the height of her abilities, came into this world in a shower of light during the summer solstice. On a human...

contact

Sign up here for occasional newsletters about Katharine’s work and projects. Your information will never be shared.

instagram

follow Katharine @skepticalsoprano