Regards sur l’Infini: Back Story (part 1)
It’s been a rocky few months for the performing arts, which makes it all the more strange and wonderful to announce my own news: Sam Armstrong and I are making an album.
Sam and I been close friends and collaborators for a long time, but we’ve never recorded together. Now, finally, we’re planning a disc of French songs, titled “Regards sur l’Infini” after a gorgeous early song by Dutilleux. The program is a compact, symmetrical meditation on restlessness and longing, including two complete cycles (Messiaen Poèmes pour Mi, Debussy Proses lyriques) and songs by Claire Delbos, Dutilleux, and Saariaho. We will record in the second week of August in Nijmegen’s stunning Concertgebouw de Vereeniging. Frerik de Jong will be at the helm, and the disc will be released on 7 Mountain Records in November of 2020.
But wait! How did this project evade the jaws of the pandemic?
It didn’t. “Regards sur l’Infini” will be a direct result of the Covid-19 lockdown. Like most performers, I’ve been virtually unemployed since mid-March; although some work is flickering back to life, the industry is still in major trouble. But meanwhile, I’ve been quarantining with a pianist. We’ve been making music together at home all along—at first just to cope with the uncertainty and loss, and later with a defined goal. I’m so glad that the album will serve as a permanent record of this work: a document of deep thought and assimilation and trust, a personal silver lining to a global catastrophe.