Concertgebouw Orchestra debut on four days’ notice
I was honored to step in this week as soprano soloist with the Concertgebouw Orchestra, one of the world’s greatest bands. A colleague had fallen ill just before the planned premiere of a piece by Bram Kortekaas. I was contacted on Sunday afternoon: could I learn the fourteen-minute score immediately? Would the piece be a good fit? Was my command of Dutch language good enough? I had worked once before with Antony Hermus, the wonderful conductor of this all-Dutch program, but the orchestra didn’t know me, and I know perfectly well what a risk it is for management to make a call like this at the last minute.
I looked through the score: some high Cs and Ds, some lowish notes, some quick tempi and big intervallic leaps, some lyrical passages, lots and lots and lots of Dutch. I called my friend Manoj, who promised to help with the text. Manageable. I took a deep breath and began writing my response: Yes, I can do it.
The next few days were a blur. Read More