News

I was very happy to read the following review on Olyrix after our final Entführung of the season in Massy:

“Également lauréate du Concours international de chant de Clermont-Ferrand 2017, Katharine Dain est la révélation de cette soirée. Sa voix ample et soyeuse, ses phrasés souples et son timbre chaleureux se révèlent dès son premier air (“Ach ich liebte, war so glücklich“, acte I). Son interprétation subtile semble donner envie à l’Orchestre de l’Opéra de Massy (et au chef Dominique Rouits) de se surpasser. Read More

Our Rouen outing for Mozart’s Enlèvement (as I am now beginning to call it–Entführung, Abduction) has been widely praised, and I got some especially nice mentions this time.

“La soprano américaine  Katharine Dain ne déçoit pas les espérances que son « Marten aller Arten » au concours de Clermont-Ferrand avait fait naître. Avec son chant aérien aux aigus faciles et ses vocalises précises, elle remplit toutes les exigences vocales du rôle.” (“The American soprano Katharine Dain does not disappoint the hopes raised by her “Martern aller Arten” at the Clermont-Ferrand Competition. With precise vocalism and ease in the most precipitous heights, she satisfies every vocal challenge of the role.”) –Forum Opéra Read More

I’m delighted to announce that I will sing Cunégonde in Leonard Bernstein’s Candide in Banff (British Columbia, Canada) in July 2018. This production and other performances are presented as part of an intensive residency titled Opera in the 21st Century at the Banff Centre for the Arts and Creativity, led by members of Against the Grain Theatre. More details forthcoming.

I’ve just wrapped up my second stint of Konstanzes in Avignon, and the reviews are in:

“Katharine Dain, soprano américaine au lyrisme clair et pur, passe des tons les plus chauds aux notes les plus aigües avec une belle aisance, elle offre au personnage de Konstance toute la sincérité du rôle.” (“Katharine Dain, an American soprano of clear and pure lyricism, moves from the warmest tones to the highest notes with beautiful ease. She brings to the character of Konstanze all the sincerity the role requires.”) –Paroles d’Opéra

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My first Konstanze in Mozart’s Die Entführung aus dem Serail (in January in Clermont-Ferrand, and touring afterwards to Avignon, Rouen, Massy, and Reims) is garnering excellent reviews. Forum Opera says: “hyper technicienne et flamboyante de passion vécue pour un ‘Martern alle Arten’ de haute volée. Cette autre lauréate du 25^e Concours de Chant déploie une projection radieuse, qu’elle sublime dans un ‘Ach, ich liebte’ aux fins aigus vertigineux d’une noblesse désespérée qui n’a d’égal que l’admirable puissance dramatique du ‘Welcher Wechsel.'” (“An extreme technician, blazing with passion in a first-rate ‘Martern aller Arten.’ This laureate of the 25th International Competition projects a radiant presence, sublimated from the slimmest vertiginous heights of ‘Ach, ich liebte’ to a desperate nobility which nothing can equal but the admirable dramatic power of ‘Welcher Wechsel.'”) Read More

Several French publications are excited about my upcoming Entführung. Diapason lists this production in its top three performances not to miss in January, calling my performance at the Clermont-Ferrand competition a “revelation.” La Montagne did a nice preview article with an interview, and Zap Magazine published a very different, very fun interview about some of my extra-Mozartean musical interests. All three clippings can be seen here.