Sam and I have been overwhelmed by the response to Regards sur l’Infini, our debut disc as a duo, the project that kept us both moving forward through the hardest months of 2020. We’ve heard from many friends, and critics (see below), and critics who are now friends because they sought us out to talk about what we made, that the album has helped others bear the uncertainty of the current moment, too, and has provided beauty and inspiration. We couldn’t have asked for a more sympathetic reception for our unusual and personal program of songs.
Here is a summary of the press response to the disc: reviews, radio programs, blogs, interviews. The album also made several best-of-2020 lists: Parool, Diskotabel, and Basia Jaworski all chose it as one of their top picks of the year.
The Guardian (Erica Jeal’s Classical Album of the Week): “Glowing, intriguing French chamber music … Katharine Dain and Sam Armstrong have used lockdown to produce a memorable, effortlessly polished album. … An extraordinarily polished and thought-through disc. At its centre is a glowing performance of Messiaen’s 1937 song cycle Poèmes pour Mi, Dain’s voice crystalline yet powerful when required, Armstrong’s piano effortlessly propulsive.”
The Times (Geoff Brown): “You could try gazing into infinity with Katharine Dain, an American soprano with scorching top notes, based in the Netherlands, and the incisive British pianist Sam Armstrong. As a virus album, Regards sur l’infini is impressively elegant and thoughtful, featuring cunningly chosen French song settings presented in palindrome form. … Penetrating artistry … perfect in every way.” (pdf)READ MORE